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Make Every Day

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Investing In Myself: An Inexpensive On-line Course

Growing up, my dad was forced to work alongside my grandfather building things - like additions to their small rural home, a small church, and I’m sure a number of other things. My dad always explained to me that he did not always love it, but he learned skills that were very valuable for him as an adult. This is why he would force me to work alongside him when he was fixing things around the house and occasionally building things - furniture, a bar in the basement, a rabbit cage, a clubhouse for me.

At first, I didn’t usually love it, but sometimes I kinda liked it - more so the building, than the fixing. But now, as my dad intended, I know how to do a few things. So friends and family are often impressed that I know how to fix basic things around the house, and make simple things for myself - a desk, a rolling cart, easels, panels to paint on. If it involves wood, right angles, glue, screws or nails, I can probably build it or figure out how it’s done. Most of my creations are basic, but I think they’re cool, and people seem to agree.

A few months ago, while out having beers with a friend, I noticed a coffee table where we were seated, and thought to myself, “I want to make coffee tables” (I especially wanted to make them from odd or reclaimed materials). A month or so later, I got to paint a big picnic table for the Immersive Van Gogh exhibit. Seeing the finished product made me really want to get into furniture design and embellishment.

Painted Van Gogh quotes on table at Immersive Van Gogh Exhibition

Last week, I came across an online course that teaches Professional Woodworking for Beginners. I signed up as a small investment in myself. My goal is to watch the videos and share some aspect of my experience on Patreon. I might just talk about. Maybe recording something I work on. Maybe pics of a finished product. But however this works out, I want to share my progress with you.

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OVER-EAGER ABOUT WHAT?!

I have had interactions in real life where I run into people I haven’t seen or heard from in years, and they’ll say to me, “I’m loving what you’re sharing on (social media platform) with (insert recent creative projects…).”
I’ve also heard friends express fear of telling someone how much they love their work, stating “I don’t want to seem weird.” And I think to myself, ‘Weird about what? This person does a thing, and they share it with the world. You genuinely love it! Why would that be weird?’
So on Instagram, I decided to pose a question:

”Do you ever feel like enthusiastically telling someone how much you like what they do, makes you look over-eager?”

When the poll ended, with 80 people responding, nearly 60% percent said that they felt strange about expressing honest love or appreciation for people’s work. While I suspected I might get this response, it hurt me to the core.

WHY? If you genuinely love what someone does, why wouldn’t they want to know that? Most creatives regularly fluctuate between a reasonable level of confidence to crippling self-doubt. Western Society is especially guilty of undervaluing the importance of music, visual art, and literature. While we constantly consume these things and refer to them as our culture, we discourage people for pursuing their passions to contribute in these areas. Corporate Executives make a living exploiting the work of creatives, while encouraging the labeling of creatives as “Starving Artists”. Even many successful artists regularly struggle over whether they should continue, whether what they’re doing is worth all the hard work that goes into it.

PLEASE! PLEASE! PLEASE!!!
If someone is doing something, and it makes you feel good, you think it’s done beautifully, or you see it as valuable, PLEASE LET THEM KNOW HOW MUCH YOU LOVE IT! Knowing that we’re doing something that matters helps keep artists going. Most artists create because something internal compels them to create something they may personally NEED to see. They share their work in hopes that others connect with it as well, and perhaps people will purchase the works, which will enable them to keep creating from an honest space.

The importance of an artists work is not always reflected in sales. But knowing that people appreciate the work being made gives an artist fuel to continue investing in themselves, to continue being vulnerable and honest with the world, and to continue sharing the beauty they create! Never feel weird in telling someone how much you appreciate what they do!

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I AM ALREADY ENOUGH...

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Note to Self:

I am abundant in my ability to create Value.

  • I have enough materials

  • I have enough ideas

  • I have enough connections

  • I have enough energy

  • There are infinite possibilities I don’t even know about

  • I have enough knowledge to get started

  • I have enough intelligence to ask good questions

  • I have an abundant capacity to learn

  • I have enough help

  • I have the capacity to ask for more help

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In A Bit Of A Funk...

Some random lines, and familiar text work. It feels good.

Some random lines, and familiar text work. It feels good.

I haven’t created anything with my hands in over a month. I’ve been shooting with my camera (which has been fun). I’ve organized my studio (which feels liberating). And I’ve given a lot of thought to how I want to move forward in my creative life. But as far as the process of creating with my hands, I’ve been blocked. So today, I’m wanting to be in the studio and to do SOMETHING. No plan. No concern with results. Just do some shit. Pick up a brush and marker, and put some marks down.

The image above was the first thing. It feels good. I’m going to continue for the evening.

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Unexplained Necessities

Something I have been thinking about a lot lately - and a response to a conversation I had yesterday with another artist who felt the same way...

Artists often feel compelled to create things that don't demand to be created - other than to scratch their own itch, satisfying some unexplained compulsion. Often it's to see something tangible that only exists in their head, sometimes it's a response to the world around them. It can be a myriad of prompts, but creators gon' create! 

I think when I get too focused on where I will be showcasing work, and how I will show it, I start to get stuck in my head about why people NEED to see it. Often that's not a question I can answer. But when I consider the entirety of my creative experiences and what they do for my life, it makes me realize that the answer is within the question. It needs to exists because I felt a need to make it, and its existence serves me - even if it serves no one else. 

 But chances are, if I needed to see something this bad, then someone else needed to see it too, or it would at least be a catalyst for some necessary dialogue. I feel that my creative life should show up in ways that don't first require me to explain why. If I create, then it should be somewhat rare that my consumption is not affected, or "polluted" by my own creative process. The home I rent or buy should look like MY home, the clothes I buy should look like MY clothes, I should have writings, music, and performances that speak to my vision of the world, and make it very clear WHY these things needs to exist. The existence of anything I can and will create should be as absolutely necessary as my own existence...

Because you know what?! I do not NEED to exist, but I'm here, and I'm sure as hell going to behave like the world needs me!

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Free to Be (pt. i)

I adore when Natasha and I get a chance to connect. 

My best work happens when the person I am photographing loves my work, and doesn't judge themselves for being a part of the process. When Natasha and I connect, all we know is that our goal is make dope images! She's not worried about how she looks. It's my job to make sure I capture her beautifully. We're not worried about peoples' judgment of what we create. That's none of our business. 

Today I asked her to bring a couple of outfits that I could shoot her wearing - and barely wearing. We rode around for a bit, looking for a fresh location, and once we found something, we got to work. I tell her what I have in mind. She tells me the options and suggests what she thinks might work. We Go! Because she trusts my work, neither of us have to be insecure about the strange direction I have to give to get what I see in my head. She knows all I want to do is make something amazing that we can share and be proud of.

This is a bit of what we did this July 4th. 

 

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In The Right Direction...

I always know "the next step", that's never been the problem. The difficulty is embracing the direction I need to go. Stepping out a place that is very comfortable (for better or worse), when I only know where I'm placing my next step.

Knowing you're on the right path is a fortunate thing, and I do believe I'm headed in the right direction. But it's a struggle to face my fears. I guess I have to struggle then. There's work to do, and places to go! Everything I want is on the other side of fear. 

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JESSICA PRESCOTT - A ZEN ERA

"Follow on IG @madzetetic"

"Follow on IG @madzetetic"

When I first moved into my space at C3 Lab, one of the first artists I took note of was Jessica Prescott. She had a lot of photography work in her space. But the images had poems collaged to them. They were cut out and sewn into. It was more than photography. It was beautiful. It was just the type of thing I want to do with my images, but the final result is nothing like what I want my finished work to be. I could be inspired without copying!


Almost immediately after moving into my space – well, possibly right before, Jessica starting to switch her focus from photography to painting. But she wasn’t creating images of representational things with color. She was just exploring painting. Exploring what paint does. Working with the paint - pouring it on the surface, pulling paint, scraping paint. Sometimes unmoved by the painting she made, she'd completely cover it with more paint, and continue carving into the paint. Gluing things onto the paint.

Of the 8 or 9 artists I share the space with, Jessica is among the people I see most frequently. I enjoy our conversations, and we often discuss her new endeavors in painting. She doesn’t always seem to know the desired result of her explorations, and she often doesn’t like the "finished product". She just knows that she enjoys the process, so she keeps going until she reaches a pleasing result. It is an intuitive, whimsical, and earnest process. She doesn’t appear to over-think it. It seems very Zen.

That’s something I’m a fan of. Commit to your creative process and enjoy it. I don’t think it’s our job to judge the things we are fascinated with. I think our job is to follow our fascinations. Follow them and allow them to teach us something about ourselves or present circumstances. What do these fascinations mean? Are they helpful or harmful? How do people connect with them? As we learn the significance of what we are doing, how can we do it better?

So, that is something I want to do more. Plant the seed. Water the seed. Watch to see what fruit it produces.

She is also doing something cool with worms.

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